I was pretty impressed with that piece, though I could have done without the cheesy piano in the video. One of the elements that did come through was her absolutely trained, focused presence. Before Ulay shows up, she is just so much more still and open than any of the other people she has the little staring contest of sorts with. They're much more masked and less still than she is. And even when Ulay shows up, all emotive in his expression, she maintains her internal stillness and presence without going over the top emotionally. It's the kind of genuine reunion I might hope for with an old lover after many years.
Abramovic's body of work is pretty interesting. She seems intent on examining, with uncomfortable intensity, and then dissolving, the boundaries between self and other. She's managed to do that in a variety of ways, sticking to her project without repetition.