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Digital SLR / DSLR Camera Question / DSLR Thread 2

ok, lets see if i can remember it all

All Alienbee/Paul C Bluff gear

AB800 X2
AB400 X2
13" stand X2
Tiny sized stands X2
Reversible umbrella
Small/Medium (forgot which) Octabox
22" Beauty Dish with diffuser sock
Barn Doors X2
Couple sets of gel filters
Cybersync Trigger and two Recievers
10, 20, 30, and 40 degree grids for the normal reflectors
Vagabond battery. Basically like a car battery with an AC plug
Bags for each light and the light stands
5-in-1 Circular Reflector Kit

I think thats it...

They've got a parabolic light modifier that looks pretty sweet. Lots of potential uses, and it's not all that expensive. Too bad EVERY SINGLE SIZE is on backorder
 
hard not to justify, its a really popular and good light modifier.



See, that's the thing. I'm not sure that I'd be getting any different light than from my brolly box. That's part of the justification. I'd be pissed if I kicked down for one only to see that I get the same kind of light from it.
 
That's not the issue. For me, I have a limited budget. I'm trying to decide whether to kick down for a beauty dish now or wait and save up for a giant octabox. I'm leaning toward the giant octabox.

octabox w/ grid...bigger light source!...
 
i got this email joke from a buddy.....

Read the whole thing and answer truthfully. Your answer might surprise you....................


The One (1) Question Test
This test only has one question, but it's a very important one. By giving an honest answer, you will discover where you stand morally..
The test features an unlikely, completely fictional situation in which you will have to make a decision. Remember that your answer needs to be honest, yet spontaneous.

Please scroll down slowly and give due consideration to each line.


THE SITUATION:

You are in Florida , Miami to be specific.. There is chaos all around you caused by a hurricane with severe flooding. This is a flood of biblical proportions. You are a photojournalist working for a major newspaper, and you're caught in the middle of this epic disaster. The situation is nearly hopeless.

You're trying to shoot career-making photos There are houses and people swirling around you, some disappearing under the water. Nature is unleashing all of its destructive fury.




THE TEST:

Suddenly you see a man and a woman in the water. They are fighting for their lives, trying not to be taken down with the debris. You move closer. Somehow they look familiar.. you suddenly realize who they are.


It's Barack Obama and Nancy Pelosi!! At the same time you notice that the raging waters are about to take them under forever.

You have two options:

You can save their lives or you can shoot a dramatic Pulitzer Prize winning photo, documenting the deaths of two of the world's most powerful people


NOW,
Here's the question; and please give an honest answer...

Would you select high contrast color film, or would you go with the classic simplicity of black and white?
 
WTD032810SUN.gif
 
LOL. I can run to them and shoot at the same time. (Saving the life of the POTUS would do much more for one's career anyway.) And digital FTW.
 
think tank streetwalker HD Pro..
5dmk2
1dmk2n
85 1.8
70-200 2.8 IS
2 580ex II
light meter
extension cord for flash
remote shutter
5 lp-e6 and 3 np-e3 batteries
couple of 8 gig and 16 gig cards.
flash light
zip lock bags
silica packs
cybersync stuff
rocket blower
lens tissue

not in the photo:
xti with kit lens, 50 1.8, and extra nb-2lh battery

two plastic bins:
a lot of rechargeable AA battery
extra flash unit
gels
background and other lil stuff...
sand bags

two black bags:
manfrotto tripod
2 manfrotto light stand
manfrotto background pole
2 photec umbrella
2 heavy duty matthews c-stand
reflector
reflector holder
 

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^^^ Do you actually use your light meter? I borrowed one, but I ended up not using it at all.
 
:laughing :cry :laughing

Borrowed from Thom Hogan here: http://www.bythom.com/aprilindex.htm

Updated Nikon User FAQ
It's been awhile since I've updated the frequently asked questions (FAQ) sections of my Web site, so I thought I'd take a whack at fixing that problem by answering some of the most recent questions that popped up in my In box. Be sure to read all the way to the end.

What's the difference between the 50mm f/1.8D and the 50mm f/1.4G?
0.4 and US$310.

Which of my lens(es) should I take to Yellowstone?
All of them. The Law of Photographic Opportunity states that you'll always need the one thing you forgot to bring.

Should I get the 16-35mm, the 17-35mm, or the 14-24mm?
Most pros own all of these and several more lenses, as well. So if you want to be a pro, you'll have to buy them all. Amateurs can get away with buying only one. But see Law of Photographic Opportunity, above.

Why can't Nikon make a stable tripod collar?
They do, but they only give them out to photographers they like. The rest of us have to use the flimsy collars that come with the lenses at retail. I've heard that if you complain really loudly Nikon will send you a replacement collar that works. I recently bought a megaphone for such situations.

Where's the 80-400mm replacement?
Apparently the design was misplaced and accidentally sent to the wrong Nikon plant, one that usually makes sunglasses. Because that plant had never made big telephoto lenses before, they've been scrambling to try to figure out how to adapt all their tools and processes to elements that are 77mm or larger. This takes time.

Will there be a D900?
Yes.

That wasn't helpful. When will there be a D900?
Sometime after the D700 and before the D950.

You're still not being helpful. Will there be a D900 this year?
Yes, but it may still only be in certain offices in certain Nikon buildings in Japan. If you really need a D900 quickly, Stickers Emporium is now selling D900 stickers that you can put on your current camera, thus fooling your clients into thinking that you're state-of-the-art.

Should I buy a third party lens for my Nikon body?
Certainly. Almost every Nikon user tries this at some point in their career. It's sort of like entering the lottery: you might get a real winner or you might get something that looks like it never went through any QA testing. I'm told not to buy any lenses made on Mondays, during the month of January when the factory wasn't heated, or any lens built just before quitting time when the workers are thinking mostly of what sushi they want for dinner.

Is there a better set of lenses for FX shooters than the 14-24mm, 24-70mm, and 70-200mm?
No. If you'd just buy those lenses you'd stop asking such silly questions about lenses.

Why does my 18-200mm not seem like it gets to 200mm?
It probably doesn't. Superzooms have to rest every now and then otherwise they lose their super powers. They've chosen to rest whenever you focus closer than infinity.

Can I use a teleconverter on my 16-35mm f/4?
Yes. Let us know how useful a 32-70mm f/8 lens that is unsharp is when you're done.

Which filter should I buy to protect my new lens?
An insurance policy.

No, I mean what UV filter?
Your skin needs a UV filter more than your lens does. I particularly like Blue Lizard suntan lotion, since the bottle turns blue when exposed to UV, which is cool. Not too greasy and withstands some water immersion.

Stop kidding around. I need a filter to protect the front of my lens, what should I get?
If you're serious about getting a protective filter I suggest you go to your local camera store, find the salesperson with the least experience, and ask them. They'll know what to sell you.

Why won't NikonUSA repair gray market products?
They are unable to repair gray products because all they have are black parts. The result of putting black parts on a gray camera product looks a lot like your brother-in-law's 1968 Datsun pickup. You wouldn't want that anyway.

When should I use VR? When should I turn it off?
If the camper is a rockin' then don't come a knockin', just use VR.

Are Nikon's warranties transferrable?
I've tried ironing them on several different t-shirt fabrics, but so far have not had any success.

My new lens seems to back focus with my camera. What should I do?
Have your subject face away from you. Focus on their back. Now tell them to turn around. Take your picture.

Why is Nikon always so far behind Canon?
N comes after C in the alphabet. When new technologies get invented, they're sent out to companies in alphabetical order. That's why Apple is always inventing new categories of products.

I just dropped my new lens in the ocean, what should I do?
Don't go in after it, the ocean is too dangerous. I suggest that next time you use a protective filter.

Is it true that bigger is better when it comes to sensors?
No. They only say that so they can charge more for those cameras.

I read on another site that film cameras are still better than digital ones. Is that true?
It is on the other site, but not on this one.

Do I really need to shoot NEF? Isn't JPEG good enough?
If you have to ask, you need to shoot NEF because you're not confident enough to actually get all the camera settings right, which you'd have to do for JPEG.

Which Color Space should I use, sRGB or AdobeRGB?
Since you're not confident enough to shoot JPEG (see above), it doesn't matter. Your raw converter will determine the Color Space for you based upon whatever random value you've managed to set it to.

How come my prints don't look like what I see on my camera's LCD?
Because they're bigger than 3" (or 2.5" or 1.8" or whatever size your camera's LCD is), use more dots that 640x480 (or worse on some LCDs), and your raw converter is set to a random Color Space (see above). Also, COSTCO ran out of red ink last week.

How should I store my camera?
Place it on eBay. By the time you need a camera again, there will be better cameras available.
 
I like the rain one, Steve. Good job! :thumbup

Your brother looks just like you.
 
Looks like I may be getting the photo ops I've been waiting for... may be moving back to AZ. Starry skies, lightning, helicopters, plains... woohoo
 
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