Kornholio
:wave
Cool. When you get it, you can spritz a little GooGone on it for extra effect.
Cool. When you get it, you can spritz a little GooGone on it for extra effect.
So I'm thinking about picking up a smaller amp for practicing since I'm tired of lugging my 80lb Bassman 400 over to the drummer's house every week. Does anyone have any suggestions in the 50W range?
Considering that I'm kind of an elitist prick and tend to buy European things, I was looking at this...
http://bass-guitars.musiciansfriend...es-CR50BXT-50W-1x12-Bass-Combo-Amp?sku=424059
...but not one dealer in the area has one on the floor for me to try out. Thoughts?
The problem is that there's no where to test it out in the area.
You can't be an elitist, you're not using a tube amp...
There are supposedly two dealers in a 20 mile radius of here. Nearest is Newark according Orange's web site:
http://www.orangeamps.com/dealers.a...-121.867646&Distance=20&Code=94566&Dealer=576
You can't be an elitist, you're not using a tube amp...
I gave up on light weight and solid state a long time ago.
I already called them. They don't stock any Orange bass amps, just the guitar ones. Custom order only. :|
Did you try a 50 mile radius? There are several more dealers that show up in the 30 mile range. GC doesn't seem to stock them either; not sure about the others.
OTOH, American Musical has a 45 day return policy.
At any rate, I just discovered Gelb stocks them.
Nice!
If you haven't heard Fractal Audio's Axe-FX yet, you should.
I already called them. They don't stock any Orange bass amps, just the guitar ones. Custom order only. :|
Since when do you have to use a tube amp to be elitist?
WRT Tone.
Solid state gets you volume, tubes get you tone.
After having tried all sorts of hardware in various configurations/combinations just to get back to the tone my old SVT had back in the 1970's, I surrendered and just went back to the tube.
I haven't looked back since, and I'm not interested in reinventing the wheel. All of the various emulators I've run accross sound decent only on a digital recording, and suck in the open air, compared to the real deal.
I'd rather pay Dan Torres to re-tube the stuff and maintain it than live with a tone I know isn't real.